THE JOY OF
LIGHTING DESIGN
One
of the most rewarding professions today can be that of the lighting designer
working in the arts.Every
production or project will present new challenges, new obstacles, new human
dynamics and new problems to solve.
Designing the lighting for a
production fulfills the needs of the playwright and also meets the
objectives of the director and other designers. And succeeded in your goals and objectives, that you have emotionally 'moved' an entire audience through the controlled
and planned use of light.
Stage lighting is no longer a matter of simple illumination
as it was less than 100 years ago. Today, the lighting designer is expected to
be a master of art, science, history, psychology, communications, politics and
sometimes even mind reading.
Ultimately the lighting designer must be an artist! He must
understand style, composition, balance, esthetics and human emotions. He must
also understand the science of light, optics, vision, the psychology of
perception and lighting technology. Using these tools the lighting designer
must learn to think, feel and create with his heart.
When it's good lighting design - you alone will know.
When it's bad lighting design - everyone will tell you!
·
EARLY STAGE LIGHTING
Stage lighting design is probably as old as formalized
theatre. The early Greeks built their theatres as open air spaces and
orientated them in relation to the sun, so as to use natural light for stage
lighting. They would present their plays at different times of day, to take
advantage of the different types of natural lighting. This type of planning was
in essence, early lighting design. The Theatre of Dionysus (Athens, about 330
BC) and the theatre at Epidaurus (finished about 340 BC) are examples of these
early public theatre facilities.
Lighting for the theatre developed over the centuries, using
both natural sources then artificial sources. The sun, candles, torches oil,
gas, electric arc and lime lighting, all have had a place in early stage
lighting. During the Renaissance period in Italy, many of the principals of
modern lighting design were firmly established.
·
MODERN STAGE LIGHTING
Modern stage lighting design began to flourish with the
development of the incandescent lamp in the late 1800's. This invention allowed
for the development of small, safe, portable lighting fixtures that could be
easily placed anywhere around the stage, and then controlled by a remote
electrical dimmer system. Previously during the gas lighting era, complex stage
lighting did indeed exist however, it was limited by this awkward smelly
technology, with its many inherent problems. During the gas lighting era, a
great numbers of theatres were destroyed by fire.
During the early 1900's as stage lighting continued to
develop, certain parallel lighting industries began to evolve, borrowing many
basic principals from the field of stage lighting design. The modern fields of
display, photographic, film and television lighting design all have evolved and
developed from the fundamental roots of early stage lighting design. Today stage
lighting design is recognized as a field merging science with art.
·
FUTURE STAGE LIGHTING
The future of stage lighting is tremendously exciting. After
the electric filament lamp, stage lighting was revolutionized in the 1930's by
the development of the ellipsoidal reflector (Leko) fixture. The development of
the SCR dimmer in the 1960's provided another radical change. Now the automated
lighting fixture (first introduced in the 1970's) is revolutionizing the
lighting industry again. New technology has recently produced colors, never
before seen in lighting design. New light sources are developing including;
Xenon, Metal Halide, Fluorescent, Induction and Sulfur lamps. The use of fiber
optics as a carrier of both 'light' and 'data' and the further development of
liquid crystal projection technology are all part of the exciting future of
entertainment lighting design.
Design software for the computer will continue to evolve and
eventually allow the designer complete artistic 'interactive' control over his
'visual' technology. Lighting software now provides assistance with design,
drawings and paperwork. Design software in the future will use both 'touch
screen' and 'speech recognition' technology.
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